The golden age of Baroque

For this second performance at the Bach 2024 Festival, the Akademie für Alte Musik Berlin brings period instruments up to date with Baroque classics. Akamus has played a significant role in the rediscovery of the music of Carl Philipp Emanuel Bach and Georg Philipp Telemann. They have performed from New York to Tokyo, via London, but this time it’s in Montreal that they will bring Baroque culture to life for one evening.

Johann Bernhard Bach (1676 – 1749)
Suite for orchestra no. 1 in G minor

Johann Sebastian Bach (1685 – 1750)
Concerto for oboe, strings and continuo in G minor, BWV 1056R

Antonio Vivaldi (1678 – 1741)
Violin Concerto in D minor RV 249 from La Stravaganza op.4, no 8

Georg Philipp Telemann (1681 – 1767)
Overture-Suite “Burlesque de Quixotte” for strings and continuo, TWV 55:G10

J. S. Bach (1685 – 1750)
Concerto for oboe, violin, strings and continuo in C minor, BWV 1060R

Akamus – Akademie für Alte Musik Berlin
Georg Kallweit, solo violin
Elfa Run Kristinsdottir, violin
Yves Ytier, violin
Clemens-Maria Nuszbaumer, alto
Katharina Litschig, cello
Christine Sticher, bass
Raphael Alpermann, harpsichord
Xenia Löffler, oboe

Photo credit: Uwe Arens