For its second concert, the Ensemble Musica Sequenza, once again, is sure to surprise the audience. With Sampling Baroque Bach, Burak Özdemir and his group blend the powerful tunes of Baroque composers with electronic music. This dialogue of musical genres and styles, developing new music that is free of ideologies and oriented towards pure sound. Ancient instruments and live musicians break down boundaries and merge with the contemporary colors of electronic techniques. Make way for electro-baroque!
Burak Özdemir & Musica Sequenza’s performances are made possible by the generous support of the Goethe Institut.
Johann Sebastian Bach (1685 – 1750)
Prélude no 2 in do mineur, Le Clavier Bien-Tempéré, Livre I, BWV 847
Aria: Erwäge wie sein blutgefärbter Rücken, La Passion selon saint Jean, BWV 245
Chœur: Herr, bin Ich’s?, La Passion selon saint Matthieu, BWV 244
Aria: Die Seele ruht in Jesu Händen, Cantate Herr Jesu Christ, wahr’ Mensch und Gott, BWV 127
Arioso: Betrachte meine Seel, La Passion selon saint Jean, BWV 245
Aria: Aus Liebe will mein Heiland sterben, La Passion selon saint Matthieu, BWV 244
Récitatif: Ach Golgatha, La Passion selon saint Matthieu, BWV 244
Aria: Ach mein Sinn, wo willst du Endlich hin, La Passion selon saint Jean, BWV 245
Daniel Mulder, vidéography
Ensemble Musica Sequenza
Burak Özdemir, conception, direction and baroque bassoon
Kaori Kobayashi, baroque violin
Sophie Longmuir, baroque violin
Chang Yun Yoo, baroque viola
Wolf Hassinger, baroque cello
Pedro Alcacer Doria, luth
Raivis Misjuns, bass
Tilmann Albrecht, harpsichord
Burak Özdemir & Musica Sequenza’s performances are made possible by the generous support of the Goethe Institut.
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Photo credit : Sophie Schwarzenberger