All over the Baroque

From Handel to Bach, via Telemann, Platti, and the all-too-rarely heard Zamboni, Daniel Lanthier and Marco Baronchelli explore the late Baroque chamber repertoire in its most refined forms: sonatas, suites, and partitas.
The two instruments respond to one another with equal delicacy, in the natural dialogue between melody and accompaniment.
Bach’s Suite in G minor, BWV 995 – a transcription for lute of a cello suite – crowns a demanding and generous program.

Georg Friedrich Haendel (1685-1759)
Oboe Sonata in C minor, Op.1 No. 8, HWV 366
Oboe Sonata in F major Op.1 No.5, HWV 363a

BABELL, William (1690-1723)
Oboe Sonata No. 1 in B-flat major, IWB 13

Giovanni Zamboni (fl. 1664-1721)
Sonate d’intavolatura di leuto, Op.1 No. 9

Giovanni Benedetto Platti (1697-1763)
Oboe Sonata in C minor, IGP 14

Georg Philipp Telemann (1681-1767)
Partita No. 4, TWV 4: g2, Kleine Kammermusik

Johann Sebastian Bach (1685-1750)
Suite for Lute in G minor, BWV 995
Invention No. 3 in D major, BWV 774
Sinfonia from the Cantata Ich steh mit einem Fuß im Grabe, BWV 156
Invention No. 10 in G major, BWV 781

Daniel Lanthier, baroque oboe
Marco Baronchelli, lute