1.0Festival Bachhttps://festivalbachmontreal.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="meiiYvkYmW"><a href="https://festivalbachmontreal.com/en/concerts/correspondances-ensemble/">Ensemble Correspondances</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://festivalbachmontreal.com/en/concerts/correspondances-ensemble/embed/#?secret=meiiYvkYmW" width="600" height="338" title="“Ensemble Correspondances” — Festival Bach" data-secret="meiiYvkYmW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://festivalbachmontreal.com/wp-includes/js/wp-embed.min.js </script> At barely 22 years old, Johann Sebastian Bach was already composing cantatas of striking expressive power. Christ lag in Todesbanden and Aus der Tiefe ruf' ich, Herr, zu dir reveal an extraordinarily dramatic and spiritual genius, even in his earliest works. Ensemble Correspondances, one of France's leading ensembles for 17th and 18th century vocal repertoire, brings these youthful pages to life. Under the direction of Sébastien Daucé, this concert takes us to the heart of the first stirrings of a composer destined to transform the history of music.