Théo Ould, accordion

Johann Sebastian Bach and Astor Piazzolla, though separated by centuries and continents, share a deep bond through counterpoint, a melody-superimposition technique that is central to both of their compositional styles. Influenced by Bach’s fugues from an early age, Piazzolla integrated Baroque structures into his accordion compositions, creating a unique fusion of European classical music and Argentine rhythms.

An explorer and craftsman of sound, Théo Ould redefines what we think we know about the accordion, linking distinct cultural traditions in timeless harmony. An unprecedented invitation for audiences to experiment with new sounds, through the melding of eras, continents, and styles!

“Théo Ould succeeds in revealing the full richness of the accordion, combining technical virtuosity with emotional depth, offering a striking interpretation.” – Le Monde de la Musique

Johann Sebastian Bach (1685-1750)
Toccata in E minor, BWV 914 (5′)
Partita BWV 830

Astor Piazzolla (1921-1992)
Libertango
Flora’s Game
Sunny’s Game 

Heitor Villa-Lobos (1887-1959)
Bachianas Brasileiras No. 4

INTERMISSION

Carlos Guastavino (1912-2000)
Cantos Populares (excerpts) 

Théo Ould, accordion