Since it is mainly encompassed by the Baroque period, the harpsichord repertoire is sometimes perceived as lacking variety. The idea should be challenged, as this 150-year period has seen a succession of styles and approaches!
Here, this central instrument in Bach’s work becomes the central theme of a spellbinding journey through the generations of the Baroque.
Long-time Festival associate Luc Beauséjour leads this luminous exploration, bringing to life emblematic works by keyboard masters who influenced Bach himself.
A rare moment, bringing five baroque harpsichords together on stage for one evening.
Georg Böhm (1661-1733)
Suite No. 9 in F minor (D.F. harpsichord)
Johann Caspar Ferdinand Fischer (1656-1746)
Passacaglia in D minor (french harpsichord Hemsch-Blanchet 1)
Johann Jakob Froberger (1616-1667)
Méditation sur ma mort future (french harpsichord Hemsch-Blanchet 1)
Benedetto Marcello (1686-1739) – Johann Sebastian Bach (1685-1750)
Concerto for harpsichord in D minor, BWV 974 based on Marcello’s Oboe (harpsichord Hemsch-Blanchet 1)
Johann Sebastian Bach
French Suite No. 5 in G major, BWV 816 (Dulcken harpsichord)
Luc Beauséjour, harpsichord